Lumix G X Vario 12-35mm f/2.8 Review


Lumix G X Vario 12-35mm f/2.8 Review

Lumix G X Vario 12-35mm f/2.8 Review – Micro-Four-Thirds (MFT) is certainly the mirrorless system with the greatest footprint in the marketplace today. However, up until now the system concentrated mainly on customer- as well as prosumer-grade items as well as disregarded the professional field but throughout the recent months we are seeing indications that this is going to alter.

Olympus launched the prominent OM-D electronic camera and a high quality 75mm f/1.8 lens and Panasonic is likewise putting some wagers right into the higher end of the market.
In this review we’ll look at the Panasonic Lumix X 12-35mm f/2.8 ASPH Power OIS – the very first fast common zoom lens of the MFT system. In full style terms the field-of-view is equivalent to 24-70mm. While it is, naturally, a f/2.8 lens regarding its rate potential, the depth-of-field abilities are in fact not as excellent. In MFT land you are “shedding” concerning 2 f-stops below which certainly reduces the creative potential of the lens quite a bit.

Lumix G X Vario 12-35mm f/2.8

Size-wise it felt perfect to me for sure. The build quality of the lens is likewise superb. Panasonic used top quality products and also while the lens extends after zooming to the lengthy end there’s no wobbling whatsoever. The lens is also dust-resistant and splash-proof. Both control rings operate smoothly. So we can favorably verify that it meets its professional-grade scope right here.

See Also : Canon EOS Rebel SL1 Review

The AF of the lens counts on a really rapid and near-silent straight stepper motor. We had no problems with AF precision throughout our beta test with the lens. Our team believe that hand-operated focusing is still by-wire yet it does not make any difference anymore in terms of responses: we experienced no delay in the focus feedback. An excellent ol’ emphasis distance range on the lens is missing though. The Panasonic lens showcases a “Power OIS” (Optical Photo Stabilizer) which is good enough for an equal gain of regarding 3 f-stops.

Reduce of Use

The LUMIX G VARIO 12-35mm F2.8 ASPH is relatively little and light for a quick zoom lens covering a 35mm comparable focal range of 24-70mm. Zoomed bent on the 70mm setting, it measures simply over 10cms in length. Lumix G X Vario 12-35mm f/2.8 Review

Zooming is external, so the front does expand, from 8cms at 24mm to 10cms at 70mm. It’s quite light at 305 grams, in spite of its high-grade building which gives it a costs feel and look.

In terms of attributes, the lens has little to supply (besides its fast aperture, obviously). There is no distance range as well as no emphasis limiter, although there is a convenient picture stabilisation switch for the Power O.I.S system which assists to battle cam shake.

The LUMIX G VARIO 12-35mm F2.8 ASPH lens is mainly constructed from steel components, including the barrel and the mount, makings this the best built Panasonic lens to this day. Panasonic claims some level of weather condition resistance for this lens (splash/dust evidence), and certainly you could see a rubber seal around the lens install. Lumix G X Vario 12-35mm f/2.8 Review

The lens features a premium lens bag and a petal-shaped lens hood in the box. You could fit 58mm filters to this lens at the same time as utilizing the hood.


The Panasonic 12-35mm ƒ/ 2.8 deals really sharp outcomes, constant across all focal lengths. The lens provides virtually tack-sharp performance when utilized wide open at ƒ/ 2.8, with only a little bit of gentleness in the extreme corners; stopping to ƒ/ 4 gives strong edge-to-edge intensity.  This is all really family member, though – results are still incredibly sharp from ƒ/ 5.6 via to ƒ/ 11, with diffraction restricting just coming to be almost visible at ƒ/ 16. At ƒ/ 22, we kept in mind some light gentleness throughout the frame.

Chromatic Aberration

The lens provides superb resistance to colorful aberration. If there is any type of to be kept in mind whatsoever, it appears most at the wider end of the lens’ zoom array – 12mm – and also is quite subtle, appearing as magenta fringing on areas of high contrast. It turns up just in the severe corners. At various other focal lengths and apertures, it is extremely hard to notice.

Shading (” Vignetting”).

The Panasonic 12-35mm ƒ/ 2.8 does exhibit some light edge shielding when made use of at its 12mm focal length across all apertures, when shot at ƒ/ 4, simply at 12mm. At various other setups, there is much less edge shading to keep in mind, if any kind of at all.


For a zoom lens, there is very little distortion at the vast end, which suggests to us that there is most likely some post-processing going on in the camera to reduce the effect. Barrel distortion is very light when utilized at 12mm, rarely visible at all, as well as in between 18-25mm, there is no distortion whatsoever. At 25mm-35mm, there is some noticeable pincushion distortion in the corners, however it is not extremely noticeable.

Autofocus Operation.

The 12-35mm ƒ/ 2.8 X provides extremely fast autofocus results, motivated by an in-lens electrical electric motor that’s very quick as well as very silent. Filters attached to the front element of the lens will not turn, making life a little simpler for polarizer users.

Develop High quality as well as Handling.

Similar to the majority of mini four-thirds lenses, the Panasonic 12-35mm ƒ/ 2.8 is fairly tiny, and also relatively light – it weighs just 305 grams (just 10 ounces). The pre-production version of the lens we tested is slightly red in its coloring, however we have actually been informed by Panasonic that the delivery version will certainly have the traditional black-grey coloring of their lens schedule. The lens place is metal, and the 58mm filter strings are plastic. The lens also supplies a rubber grommet at the place end for security from water and dust.

A single button is available, which manages the Photo Stabilization (” Power O.I.S.”), transforming it on or off. The lens has no distance range or depth-of-field markings. The lens includes an interior emphasis layout, implying there is no lens expansion throughout focusing, but it does expand rather when zoomed in from 12mm to 35mm. (An earlier variation of this review reported that there was no lens expansion throughout zoom. Cords crossed! It definitely does.).

The zoom ring is the larger of the two, a thick rubber with raised rubber ridges. It is 7/8″ broad and is installed closer to the lens mount. The lens does not have any problems with zoom creep, and also the zoom activity is well cammed, supplying a smooth turn that has just the right level of firmness.Lumix G X Vario 12-35mm f/2.8 Review

The emphasis ring is made up of plastic with increased ribs, and also is 3/8″ large. The focus ring will certainly transform forever in either direction, without any hard quits to suggest a focus limit. Lumix G X Vario 12-35mm f/2.8 Review

Panasonic has constructed Picture Stabilization into the lens, useful for responding to the results of shaky hands holding the camera. Sadly our limited time with the lens really did not permit us to perform our usual IS screening.


At the time of creating (Might 2012) lens choices for micro four-thirds users have actually been relatively restricted, with only Sigma starting to present some off-brand alternatives. When it concerns the 12-35mm ƒ/ 2.8, it’s the initial of its kind, as well as there really isn’t really anything else in its category.


There’s not much to add to this review that the numbers do not already reveal – the pre-production variation of the Panasonic 12-35mm ƒ/ 2.8 that we tested showed superb efficiency across the board. Additionally, it boasts picture stablizing as well as a dash-/ dust-proof design: there is a great deal to like right here, making it an appealing upgrade for GX-1 individuals. The only unknown will be the rate, which we make sure can not be cheap for a lens this excellent.

Lumix G X Vario 12-35mm f/2.8 Review

Tags: #Lumix #Lumix G X #Lumix G X Vario #Vario

    Wolverine F2D Mighty Film to Digital Converter
    Wolverine F2D Mighty Film to Digital Converter
    Wolverine F2D Mighty Film to Digital Converter
    Canon Rebel T3i Review
    Canon Rebel T3i Review
    Canon Rebel T3i Review Canon Rebel T3i
    Canon EOS Rebel SL1 Review
    Canon EOS Rebel SL1 Review
    Canon EOS Rebel SL1 Review Canon EOS
    Tamron 18-270mm f/3.5-6.3 Di II VC LD Lens Review
    Tamron 18-270mm f/3.5-6.3 Di II VC LD Lens Review
    Tamron 18-270mm f/3.5-6.3 Di II VC LD
    Must read×